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Columns

This current body of work focuses on the ecological imbalance occurring in nature through inappropriate development and the degradation of climate change. Surrounded by natural bushland, and pristine coastal waters, landscapes evolve with the natural weathering processes of sun, drought, fire and rain.

I have been working on the construction of iconic columns depicting land forms as a metaphor for ‘sentinel beings’.  I see these strong silent structures acting in a symbolic iconic nature protecting the local habitat and environment especially as installations.

There is an unmistakable beauty and fragility in nature and in constructing these icons, I try to engage the viewer in a thought-provoking way with the importance of preserving what we have, so often taken for granted by becoming too complacent.

These forms are an abstract interpretation of land forms which have emerged from the exploration of geological landscapes and their organic textured surfaces.   On close examination, imperfections, irregularities and layering of various textures form part of the life and spirit of each piece. 

The pieces are constructed with paperclay and/or raku clays.  Slabs are rolled incorporating organic matter, fibre and cloth to create variations in the surface. The clay is then manipulated by pushing, pulling, puncturing or tearing to creature interesting and varied textures.  After construction, slips, engobes and dry crusty glazes are applied. 

The piece proceeds through several firings ranging in temperature from 1220°C down to 850°C to obtain the desired overall finish.